(Un)quilting the Quilting Point: Critiquing Žižek on Lacan’s Graphs of Desire and Benjamin’s “Theses”

Abstract

Žižek’s reading of Lacan’s “The Subversion of the Subject and the Dialectic of Desire in the Freudian Unconscious” is among the central contributions of The Sublime Object of Ideology, a reading abounding in importance throughout Žižek’s use of Lacan in his theory of ideology. A close reading of Lacan’s original paper, though, reveals numerous theoretical divergences. In this essay, I explore Žižek’s reading and critique his analysis on various points—including the priority of the cut, the dialectic of synchrony and diachrony, and the relation of $♢D (the matheme for drive) to S(Ⱥ) (the matheme for the lack in the Other)—to suggest a foundational reinterpretation of the quilting point. With particularly the completed graph in mind, I contest Žižek’s reading of the primacy of fantasy, the definition of the sinthome, and the $♢D-to-S(Ⱥ) arrow, all of which are apotheosized in Žižek’s exposition on Benjamin’s “Theses on the Philosophy of History.” In Benjamin, despite Žižek’s theoretical utilization of him, we find substantial divergence from Žižek: there is indeed a quilting point of the mo(ve)ment that takes the lessons of processuality, the cut, the synchrony/diachrony dialectic, and $♢D to S(Ⱥ) seriously—a quilting point that, contra its usual associations with closure, is radically open and revolutionary.