Credo Quia Absurdum: No Strawman for the Revolution

Abstract

Debates in radical cultural praxis reflect conflicting viewpoints on the left. While one might assume that the enormity of the challenges facing the left would lead to a common front this is rarely the case as communist and horizontalist viewpoints clash. This essay addresses new possibilities for thinking about avant-garde art and vanguard politics by considering the recent debates between Slavoj Žižek and McKenzie Wark and further, by looking at the limits of the cultural revolution as we have known it since the late 1960s. The impasse of Occupy Wall Street, Strike Debt, and similar protest movements has led Žižek to shift from a view of the party in terms of the Lacanain Discourse of the Analysis to more general reflections on the Discourse of the Master. The consequent critiques of Žižek that are examined are shown to have evaded his ideas, failing to advance radical cultural praxis beyond postmodernism. On the other hand, one finds that Žižek’s renewal of radical thought is challenging others on the progressive left to do the same.